Photography & Editing

Self-initiated concept

Frame Between

Making the difference between adjacent frames the subject, testing how motion, sound, and absence determine edit rhythm.

Scope
Motion concept, edit design, audiovisual rhythm
Duration
Two-week editing experiment
Tools / Methods
Premiere Pro · After Effects · Sound study
Year
2026
Two translucent film frames separated around a central lens and orange playhead in a black editing apparatus
Editing is not choosing beautiful frames; it is designing what happens when two frames meet.

Editing premise

Split the cut into three variables

Each test fixes shot order and varies motion continuity, audio lead or lag, and the duration of black. Results are read not as fast or slow, but by when the viewer begins expecting the next image.

Three cut tensions

  1. 01

    Motion

    Continue or collide

    Matching direction hides a cut; opposing direction makes it an event.

  2. 02

    Sound

    Establish expectation first

    When audio leads, the next image is imagined before it arrives.

  3. 03

    Absence

    Make time felt

    A brief black frame breaks continuity and amplifies the residue of the previous image.

Continue with Afterglow Taipei to see how a still image can carry time.

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